{"title":"選書展 ── The Page as Art：探索圖像書的設計美學","description":"\u003cp\u003e翻頁的流暢從來不是偶然，一切都是精心設計的結果。\u003c\/p\u003e\n\u003cp\u003e這次選書，我們將圖像書視為一件藝術物件。每一頁都不只是在讀故事或看圖，唯有親手拿起，才能感受書籍從紙張到結構呈現的所有細節。一幅優美的插畫固然吸引，但一本真正精彩的圖像書遠不止於此。當你將書捧在手上，觸碰封面的那一刻，美學體驗便已展開。\u003c\/p\u003e\n\u003cp\u003e設計一本好的圖像書，就像電影分鏡，遠景、中景、近景交替。不論是繪本、圖像小說或藝術刊物，插圖都必須結合排版，建立閱讀節奏；創作者、視覺編輯與設計師反覆推敲：字體、間距、角度如何安排；紙張磅數與油墨光澤如何呈現圖像；要跨頁還是留白，為什麼這一行字，剛好出現在你最想閱讀的時刻⋯⋯\u003c\/p\u003e\n\u003cp\u003e而這一切的精心編排，都是為了讓人能順暢地理解創作者想傳達的世界，讓紙本成為永不過時的載體。\u003c\/p\u003e","products":[{"product_id":"她","title":"Her: Vivian. Meyer","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLegendary street photographer of the\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003e20th\u003c\/strong\u003e century \u003cstrong data-mce-fragment=\"1\"\u003e—\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eVivian Maier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe life biography of nanny and image is adapted into a picture book for the first time\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"Vivian is so mysterious!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWearing men's shirts, swearing in French, speaking to Europeans. Henry's short stories are recited like a stream and he walks like a bird\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003e...\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLike a long-legged shorebird, she walks through the time under her lens. \"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eShe is Vivian Maier, and this is her photographic diary. But it was not written by her pen, but narrated through the camera in her hand - the twin-eye Rollei camera she always hung on her chest.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eAn unknown nanny walked around the streets of America and took pictures after work, not for others or for fame. Over the years, she took more than 100,000 negatives, recording countless daily moments. After her death, someone bought these negatives at auction, and the world discovered her amazing perspective and talent. Through her eyes, she can see the street scenes of New York and Chicago, the lost time and the essence of photography. Vivian Maier is therefore known as an important contemporary street photographer in the United States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThrough the camera's monologue, we get close to this mysterious legend from an onlooker and intimate perspective. Page after page, I follow Vivian Maier as she roams the streets of New York and Chicago, seeing shops and restaurants in alleys, various pedestrians and workers on the road, children waiting for the school bus, street performers playing guitars, and The photographer's figure reflected on the wall glass...\u003c\/span\u003e\u003c\/p\u003e","brand":"大塊文化","offers":[{"title":"Default Title","offer_id":45237917811010,"sku":"9786267118948","price":150.0,"currency_code":"MOP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/7113\/0690\/files\/7772_bk11663574070.jpg?v=1689234075"},{"product_id":"小象的鼻子為什麼這麼長","title":"Why is the elephant's nose so long","description":"","brand":"天津人民出版社","offers":[{"title":"Default Title","offer_id":45237987836226,"sku":"9787201148144","price":150.0,"currency_code":"MOP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/7113\/0690\/files\/image_137d1d18-bd10-4a5d-8e75-e5e8121ab316.jpg?v=1689585105"},{"product_id":"影之島","title":"Isle of Shadows","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThere is an unsolvable nightmare,\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eempty, silent, void, motionless,\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ebecause it is: the dream of the non-existent.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBetween the Swamp of Longing and the Waterfall of Bygone Days, there is an unnamed forest. In this forest, there is a dream thicket, home to a little kangaroo doctor. The kangaroo doctor specializes in treating one particular ailment in animals: \"nightmares.\" Like a marsupial Freud, he listens to the various nocturnal disturbances of animals. He is skilled in analysis and treatment, knowing how to capture all sorts of rustling, gooey, or squeaking nightmares. The little kangaroo doctor has never failed, until the thylacine arrives with his unusual dream...\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e　　〖‭ Story Highlights ‬〗\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e　　▸ Author Davide Calì deeply understands how to balance the fun and seriousness of a story. He crafts an enchanting journey through Australian wildlife, which then turns into a sunken Noah's Ark. He brings extinct species back to life in the story, transforming it into an undulating ecological elegy. The elusive dream elements make readers more keenly aware that species extinction is not an illusion, but a verifiable fact. Although the story implies human responsibility, humans are not mentioned until their slight appearance in the final quote.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e　　〖‭ Illustration Highlights ‬〗\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e　　▸ The several skilled painting styles in the book are all handled by the illustrator Claudia Palmarucci. Her artistic prowess is both profound and extensive, adept at fluidly switching between styles and techniques. In this book, she seamlessly transitions between classical encyclopedic scientific illustrations, 19th-century copperplate engravings, explorer-like outdoor sketches, meticulously precise close-up realism, and Italian Renaissance and Netherlandish painting styles.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e　　▸ Her creations often have clear art historical references, adding rich layers to the picture book. Readers can appreciate them instinctively, intuitively, and non-contextually, enjoying the visual narrative without noticing the references; advanced readers can appreciate them non-instinctively, analytically, and contextually, recognizing her flexible touch in blending classics.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e　　● About the Thylacine: Also known as the Tasmanian tiger, a carnivorous marsupial native to Australia. The last captured thylacine died in 1936.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e　　● \"Westerners seem to have a characteristic that defies rational understanding, namely, valuing what is lost far more than what exists. Otherwise, the peculiar charm of the extinct thylacine to this day cannot be explained.\" — \"The Book of Lost Things\"\u003c\/div\u003e","brand":"大塊文化","offers":[{"title":"Default Title","offer_id":45238013854018,"sku":"9789860777307","price":173.0,"currency_code":"MOP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/7113\/0690\/files\/Screenshot2023-06-17at19.12.52.jpg?v=1687000397"},{"product_id":"痕跡","title":"trace","description":"\u003cp\u003eLaw Yuen Yee is an artist who is difficult to define. She excels at writing about artists and creative acts, and using painting to deconstruct and reconstruct words and concepts. \"Traces\" is divided into two parts, text and painting, yet at its core runs the same underlying questions: What am I? What is art? What is the nature of memory? These three questions are both independent and mutually explanatory.\u003c\/p\u003e\n\u003cp\u003eThe painting section records a series of pencil drawings, including self-portraits of hands, \"mad woman speaks\" confined by a picture frame, \"work in progress\" documenting the handmade book process, \"cosmo-shells unearthed in my garden\" collecting shells from the soil, and \"tools Dad remade\" with tools as the subject. From defining the self and questioning symbols, it extends to capturing the fleeting traces left by memory.\u003c\/p\u003e\n\u003cp\u003eThe text section consists of 7 articles, beginning with a discussion of creative space and ending with the gaze of the city. Everything is disappearing, she asks: What is memory? Does it still exist? She answers:\u003c\/p\u003e\n\u003cp\u003eThe true meaning of memory lies in each person's experience,\u2028It has its own language,\u2028Your memory is not my memory,\u2028My memory will not be greater than hers\/his.\u003c\/p\u003e","brand":"Mosses","offers":[{"title":"Default Title","offer_id":45238214230338,"sku":"9789887793090","price":280.0,"currency_code":"MOP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/7113\/0690\/files\/Screenshot2024-10-06at18.28.54.jpg?v=1728210587"},{"product_id":"蟾蜍夢多","title":"Toad Mondo","description":"","brand":"艺鵠","offers":[{"title":"Default Title","offer_id":45238319874370,"sku":"9789881658159","price":227.0,"currency_code":"MOP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/7113\/0690\/files\/image_1cb4a818-9d50-4c1a-ab54-08474cfcd4d2.jpg?v=1689579603"},{"product_id":"遺失的靈魂","title":"lost soul","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThere once was a man who had a lot to do and a lot to do quickly, but he had long ago left his soul far behind. He even gets by without a soul - he sleeps, eats, works, drives, and plays tennis. However, sometimes he felt that everything around him became flat, as if he was moving on a smooth, mathematical grid note paper, surrounded by omnipresent neat grids.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnce, I don't know if it was his first business trip. In a hotel, this person woke up in the middle of the night and felt that he couldn't breathe. He looked out the window, but he couldn't quite recognize where he was, because all the cities looked alike from the hotel window. He didn't quite know how he came here or why he came here.\u003cbr data-mce-fragment=\"1\"\u003e Unfortunately, he also forgot his name...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThis book is written by Olga, the winner of the 2018 Nobel Prize for Literature. Olga Tokarczuk's first picture book won the Special Recommendation from the judges of the 2018 Bologna Ragazzi Prize for Story Books in Italy. This is a story that touches the depths of the human soul and makes people think about the necessity of \"waiting patiently\", \"slowness\", and \"recovering the original intention\". The process of translating the book's propositions into graphic narratives was a profound challenge to examine oneself, and the lost soul also contains love.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe author of this book’s illustrations is Yoanna. Joanna Concejo's painting style is poetic and beautiful, with a unique atmosphere that makes people stay in the pages of the book and forget their boredom. Her pictures are rich in philosophical thoughts, far-reaching artistic conception, and rich in literary narrative. It is a highly original and creative book. An inspiring picture book masterpiece.\u003c\/span\u003e\u003c\/p\u003e","brand":"大塊文化","offers":[{"title":"Default Title","offer_id":45238370369858,"sku":"9789865406509","price":172.0,"currency_code":"MOP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/7113\/0690\/files\/A020if024-1000.png?v=1689236152"},{"product_id":"farewell-snow-white","title":"farewell snow white","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eUgly, mad, cruel, dark, nightmare, fear—\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReject the sweet alternative \"Snow White\" version,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe peak painting performance of the famous picture book artist Aremana!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\"Have you ever thought about the feelings between Snow White and the queen (stepmother)? The princess can only be stupid, cute, kind and harmless? The queen mother is doomed to be jealous, corrupt, and end up with hatred? When the princess succeeds in revenge, when the fairy tale Resentment reincarnates, beauty and darkness, ashes to ashes, dust to dust, where should our sympathy be directed?\" - Yu Chixiu (translator of this book)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDifferent from the traditional perspective of reading \"Snow White\" in the past, Beatrice, the famous Italian picture book artist who has lived in France for a long time. Beatrice Alemagna was attracted by the dark nature hidden in the original Grimm's fairy tales. She first created a series of unrestrained, wild and intense paintings. Constrained by the frame of \"Picture Book\", the picture exudes pain and jealousy, cruelty and madness. Afterwards, Alemana retells the well-known story of \"Snow White\" in words, but this time she chooses the first-person narrative of her stepmother. The poetic confession is matched with paintings to form a beautiful and strong new interpretation of the fairy tale.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCreating picture books sometimes encounters stereotypes and constraints. Alemana has accumulated many years of creative experience, and she is completely free and liberated in this work, drawing beautiful and breathless paintings one after another, presenting a picture book story of a completely different level. All introductions to this book can't compare to this preface she is writing:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The original text of \"Snow White\" was first published by the Brothers Grimm in 1812. In it, however, there are no amusing or sentimental dwarfs, no prince's kiss, no sweet ending, only Snow White's imposition on the queen. A merciless and violent death, forcing the queen to be burned in front of her wedding guests. I asked myself, what is the truth of this story? Who was the real victim or executioner? Where did the goodness come from in the original thinking of the Brothers Grimm?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSo, I wanted to flip the point of view of the text and create statements about suffering, jealousy, revenge. I want to be on the side of the ugly, as we would like to understand madness. I want to tell about cruelty, darkness, bestiality, as we can tell about the whole childhood. I wanted to rediscover the irresistible depth of stories that gave childhood the sounds of nightmares and fears of electric shock: these stories are a mixture of magic, magic and riots, and I wanted to recreate a folk painting inspired by Italy Folk images of southern and eastern European countries and simple art of Nordic folk. At the end, Alemana quoted the words of the German poet Rilke: \"Beauty is but the beginning of horror.\" This sets the tone for the book. She believes that this kind of \"horror\" can be experienced by everyone at any age, and this experience is accompanied by \"fascination\" and a certain \"fun\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 2023 Bologna Children's Book Fair in Italy specially invites Alemana to hold a solo exhibition in her hometown and hold a symposium at the venue. The most eye-catching one is this new work \"Farewell, Snow White\". The curatorial description describes this work that subverts fairy tales: \"Beatrice Alemana created a falling abyss for everyone. When she accompanied us across the abyss, she disarmed us and fell into the abyss.\" The abyss. We cannot help falling, because there is no turning back... To get out, you must go in; to find the exit, you have to get lost in it.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThis book provides a fresh perspective on re-reading the classics. The images are breathtaking, beautiful and scary, and should not be missed.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe specifications of the Chinese version are the same as those of the original book. The large-format bare-back hardcover is printed in five colors. It is not an exaggeration to say that it is Alemana's picture album.\u003c\/span\u003e","brand":"大塊文化","offers":[{"title":"Default Title","offer_id":45513130770754,"sku":"9786267206935","price":317.0,"currency_code":"MOP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/7113\/0690\/files\/Screenshot2023-07-06at18.17.06.jpg?v=1688638638"},{"product_id":"i-know-kung-fu","title":"I KNOW KUNG FU Everyone has skills to practice","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGerman filmmaker Werner Herzog once said: \"Compared to an authentic kung fu movie, Jean-Luc Godard's films are like counterfeit money for intellectuals.\" As a major genre of film that has swept the world, kung fu movies not only provide sensory stimulation for audiences but also offer a rhythmic beauty in their action, transcending language and words like a dance. This pure visual communication is an international language that everyone can understand. Looking back from the margins, how many martial arts moves, how many figures of martial artists, are like excellent movie dialogues, leaving an unforgettable impression.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Everyone Can Train\" is Hong Kong visual artist Rex Koo's fourth picture book, documenting Hong Kong films through his artwork. 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Painting is like sleep-talking!\" —Ding Boyan\u003c\/p\u003e\n\u003cp\u003e　　So, here are ten years' worth of dreamland treasures, all gathered at once.\u003cbr\u003e　　Ding Boyan's first art book, \"Sleep-Talking Along the Way,\" is finally released!\u003cbr\u003e　　It features nearly 150 artworks spanning from 2013 to 2023,\u003cbr\u003e　　Presented across eight themes, with six-color printing, and three types of paper, fully showcasing the worldview of Ding Boyan's art.\u003c\/p\u003e\n\u003cp\u003e　　Having once used \"Good Morning Anxiety\" as his comic pen name,\u003cbr\u003e　　He is, in fact, simultaneously immersed in \"anxiety\" in both his conscious and subconscious.\u003cbr\u003e　　It is the common groundwater body for his two forms of creation.\u003c\/p\u003e\n\u003cp\u003e　　His comics absorb and transform emotions through their plots;\u003cbr\u003e　　His paintings, however, bring forth various props and vessels,\u003cbr\u003e　　Allowing unconscious unease to take hold, then taming it.\u003c\/p\u003e\n\u003cp\u003e　　This art book thus carefully selects his favorite motifs,\u003cbr\u003e　　As the basis for categorizing his painting works:\u003c\/p\u003e\n\u003cp\u003e　　Vacuum Exploration\u003cbr\u003e　　Cracked BODY\u003cbr\u003e　　Display, Object\u003cbr\u003e　　Comfort Zone\u003cbr\u003e　　In and Among Books\u003cbr\u003e　　Therapy\u003cbr\u003e　　On the Journey\u003cbr\u003e　　New Memories\u003c\/p\u003e\n\u003cp\u003eIn the early stages of his creation, space served as Ding Boyan's important stage. 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This transcendent, or at least detached, illusionary viewpoint neutralizes most of his unease (which might be why his \"anxiety\" in his works is not verbose or violent, but rather gentle like a large mammal), and the remaining irreducible parts spill over into shallower substances.\u003c\/p\u003e\n\u003cp\u003eFor example, the broken, bloody bodily tissues appearing in the \"Cracked BODY\" chapter; the strange objects and distorted artworks in the \"Display, Object\" section; the \"Comfort Zone\" depicting mundane earthly spaces or \"rooms\" adorned with alien surface textures; the grotesquely textured books in \"In and Among Books\" that evoke both curiosity and unease; the works in \"Therapy\" showing us how similar repair and destruction's masks are; the concrete playground equipment-like vehicles in \"On the Journey\" seemingly simulating the shrunken, regressed imagination adults have of other places, yet also reminding us how symbols brought joy to our childhood selves. They may not have sharp ideas or saturated entertainment, unable to immediately serve a function for the viewer, but their hazy gaze and faintly discernible whispers convey a sense of origin. From the abyss of consciousness, they are projected before us by the artist. Those distortions and omissions are an invitation from the world's backside, a way sleep beckons. A necessary looseness.\u003c\/p\u003e\n\u003cp\u003eFinally, \"New Memories\" appears, like a timeline conjured by loading the wrong save file. This series of 2023 works combines Ding Boyan's distinct comic portrait style with the aforementioned painting elements, introducing sweet and eye-catching anomalies into a world that was originally diffuse, loose, and harboring cold smiles. 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Following \"The Lost Soul,\" which depicted Nobel Literature laureate Olga Tokarczuk, she now collaborates with French children's author Gilles Baum, a former math teacher, to create a breathtakingly beautiful work.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJoanna, who once said, \"Images should not repeat what words have already said,\" immediately draws readers into an atmosphere akin to The Beatles' famous song \"A Day in the Life\" with a series of panoramic and album-like fragmented images at the book's beginning. You see the changing light and shadows on the lake surface, as if at different times, ever-shifting yet day after day. After the title page, the art style shifts to delicate pencil and colored pencil, and the narrative enters a new context:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\"People got used to staying in the water, living like carp.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSome days, no one spoke a word.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIn a village without a horizon, silence was the best company.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDays passed by like that.\"\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSo people became accustomed to always gazing downwards—in this muddy world, it was the only possible way to look. However, one night, something extraordinary happened: light and orange hues filled the sky. In that moment, for the first time, the residents looked up, and the children, whose curiosity was only now awakened, were the first to surface, wanting to investigate (turning the page, Joanna inserts a beautiful scene of sunlight filtering through treetops, viewed from below).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe children discovered a peculiar person skipping stones across the water, creating beautiful melodies. Using the image of \"skipping stones\" as a catalyst, the world originally filled with mud, silence, and sorrow was replaced by wonder and beauty—until that magnificent finale.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIllustrator Joanna Concejo's colored pencil strokes infuse the words of French teacher and mathematician Gilles Baum with a world that is at times serene and melancholic, at others vibrant and sparkling. Gilles said, \"I had to be the narrator of that luminous moment, to record that instant of 'human resurrection.' The story unfolded before me so vividly. This time, finding an ending wasn't difficult; it was born in the trajectory of the last skipped stone—that skip was more perfect than any before it:\u003c\/span\u003e\u003cstrong\u003eWhat if that stone never stopped?\u003c\/strong\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnd Joanna said, \"I think it's best to keep things in suspense, not to over-define or label. I'm a little afraid of 'language,' afraid of the power of words to fix things, words can sometimes weaken or truncate things, making them too clear and losing other possible meanings. I like the ambiguous quality of images; it's my communication with the reader's senses. 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It offers readers a poetic fable, guiding them through the various stages of loss, from complete bewilderment to the possibility of rebirth, in a simple yet confident manner.” — Bologna Ragazzi Award Jury Citation\u003c\/p\u003e\n\u003cp\u003e  \u003cbr\u003e\"Kintsugi\" (金継ぎ) is a Japanese art form that uses lacquer and precious metal powder to repair broken pottery. After the fragments are joined, the cracks transform into unique features, giving the object new life. This brings about a philosophical reflection: kintsugi views breakage and repair as part of an object's history, rather than merely concealing or replacing it. 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