Publish: 城邦
Photography: Perception and Consciousness
Photography: Perception and Consciousness
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This book believes that focusing on objective and universal views is not conducive to artistic creation, and people cannot master artistic perception through scientism. The perception of artistic creation often relies on the human mind, which determines the existence of matter and affects the perceptual experience of the physical body and consciousness. Art is only possible through people's perceptual knowledge. Therefore, the argument of this book is empirical, believing that all kinds of knowledge about art can only come from the creator's personal life practice and subjective sensory experience. Therefore, this book focuses on the expression of subjectivity, emphasizes personal worldview, and opposes photography, painting and art as institutions.
Painting requires the participation of the soul, and painters must exercise their perceptual abilities to obtain creative materials from the living world. Since photographic drawing does not rely on human perception, and the camera perceives light, shadow and space for people to create photos, compared to painting, the discussion of perception in photography is almost blank. Although photography also focuses on perceptual training in intuition and time sense, the intuition in photography is only people's inertial reaction to the moment. People still cannot use intuition to grasp phenomena intuitively, and the sense of time is only people's fine grasp of physical time. Ignores people's inner time perception.
This book was born to fill the gap in the discussion of photographic perception and guide readers to conceptual photography and humanistic photography that are more suitable for expressing the personal world. It is recommended that readers put aside their scientific prejudices and turn their focus to personal subjective experience when reading this book.
Painting requires the participation of the soul, and painters must exercise their perceptual abilities to obtain creative materials from the living world. Since photographic drawing does not rely on human perception, and the camera perceives light, shadow and space for people to create photos, compared to painting, the discussion of perception in photography is almost blank. Although photography also focuses on perceptual training in intuition and time sense, the intuition in photography is only people's inertial reaction to the moment. People still cannot use intuition to grasp phenomena intuitively, and the sense of time is only people's fine grasp of physical time. Ignores people's inner time perception.
This book was born to fill the gap in the discussion of photographic perception and guide readers to conceptual photography and humanistic photography that are more suitable for expressing the personal world. It is recommended that readers put aside their scientific prejudices and turn their focus to personal subjective experience when reading this book.
SKU:9786267113455
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