I'll learn to let fear count
I'll learn to let fear count
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"Love" won the first prize of the 9th Lam Young Sam Literary Award
Using the pointillism technique of New Impressionism, the three primary colors of the text are distributed in dots, allowing them to blend into the viewer's eyes, fully grasping the beauty of white space and concealment in the poem. ——Chen Yuhong
This is a very beautiful love poem. Especially when it comes to writing erotica, he is very original. The technique is very powerful. The main advantage is that the words are used accurately, so the emotions are so restrained, subtle, full, but not vulgar. It is a situation that can be created with a high degree of skill. ——Jiao Tong
"Cambodia" won the first prize of the first Ye Hong Women's Poetry Award
The writing is quiet, and the associations and contrasts of artistic conception are very clever. Therefore, the pathos and pity for history are all excellent entry points, and even connoisseurs may not be able to achieve this. —— Nanfang Shuo
This book takes the solar terms as the track and writes about the vague and uneasy emotions on the island of Taiwan in the four seasons. It also subtly reveals a peaceful country and a peaceful era in all aspects of love, work, and social politics, presenting a gorgeous macroscopic uneasiness. . The different atmospheres of the four seasons convey individual and collective emotions of restlessness, melancholy, fear, and wandering.
The first series, "Manic Depressive Summer", uses the long high temperature as the character skeleton of the island, and generates nameless restless emotions from it. Because I am young, I am confident, so I run, wanting to rush to a promised land. But does this momentum also paradoxically come from the anxiety of being unable to settle down and live in the present? The second part, "Melancholic Autumn", takes place after we start to leave the familiar season. When the high temperature gradually subsides, melancholy quietly appears. But isn't melancholy a way of confronting reality? Part 3 "Winter on the Edge" In the quietest season, the truest side of things is reflected like ice. Yet are we also our bravest in those moments when fear takes its clearest shape? Part 4 "Landering Spring" explores whether spring on the surface is the answer to everything? Or are we headed for another unexpected cycle?
Wang Ziwen's writing is accurate, and her emotional descriptions are fiery, delicate and implicit, yet full and unconventional. She uses a high degree of skill to create the situation of the poem. Every sentence depicts amazing imagery and tension. Reading it is like a thunderbolt from the sky. In the constant flow of life and solar terms, there are more possibilities to be clear-headed and open-minded.
Using the pointillism technique of New Impressionism, the three primary colors of the text are distributed in dots, allowing them to blend into the viewer's eyes, fully grasping the beauty of white space and concealment in the poem. ——Chen Yuhong
This is a very beautiful love poem. Especially when it comes to writing erotica, he is very original. The technique is very powerful. The main advantage is that the words are used accurately, so the emotions are so restrained, subtle, full, but not vulgar. It is a situation that can be created with a high degree of skill. ——Jiao Tong
"Cambodia" won the first prize of the first Ye Hong Women's Poetry Award
The writing is quiet, and the associations and contrasts of artistic conception are very clever. Therefore, the pathos and pity for history are all excellent entry points, and even connoisseurs may not be able to achieve this. —— Nanfang Shuo
This book takes the solar terms as the track and writes about the vague and uneasy emotions on the island of Taiwan in the four seasons. It also subtly reveals a peaceful country and a peaceful era in all aspects of love, work, and social politics, presenting a gorgeous macroscopic uneasiness. . The different atmospheres of the four seasons convey individual and collective emotions of restlessness, melancholy, fear, and wandering.
The first series, "Manic Depressive Summer", uses the long high temperature as the character skeleton of the island, and generates nameless restless emotions from it. Because I am young, I am confident, so I run, wanting to rush to a promised land. But does this momentum also paradoxically come from the anxiety of being unable to settle down and live in the present? The second part, "Melancholic Autumn", takes place after we start to leave the familiar season. When the high temperature gradually subsides, melancholy quietly appears. But isn't melancholy a way of confronting reality? Part 3 "Winter on the Edge" In the quietest season, the truest side of things is reflected like ice. Yet are we also our bravest in those moments when fear takes its clearest shape? Part 4 "Landering Spring" explores whether spring on the surface is the answer to everything? Or are we headed for another unexpected cycle?
Wang Ziwen's writing is accurate, and her emotional descriptions are fiery, delicate and implicit, yet full and unconventional. She uses a high degree of skill to create the situation of the poem. Every sentence depicts amazing imagery and tension. Reading it is like a thunderbolt from the sky. In the constant flow of life and solar terms, there are more possibilities to be clear-headed and open-minded.
SKU:9789864502233
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