Fangyuan: ecstasy

"Fang Yuan" - free writing. Deep reading

"Fang Yuan" is a literary and cultural special issue in the form of mooks. It publishes creations, reviews, and essays of 4,000 to 20,000 words, encourages long-form writing, promotes in-depth reading, and promotes the spirit of free writing across borders. Each session explores a human emotional state in a special topic. The first issue of "Trance", the combination is fresh and substantial:

⚠Invited choreographer Huang Dahui, musician and occultist MC Ren, poet Huang Yuying, and cultural figure Deng Jiongrong to talk about their "trance" and mystical experiences, and explore the relationship between ecstasy and artistic creation;

⚠In terms of creation, Xie Xiaohong and Yu Wanlan’s erotic trance novels; Yan Jun’s music notes, and Zeng Fanyu’s science fiction novels.

⚠In terms of discussion, Zhang Lijun used the relationship between Bataille and Suzuki Dazhuo to demonstrate the theoretical connection between inner experience, Zen and "trance";

⚠The two free comments by Lang Tian and Luo Feng are both related to the body. One is about the study of marching postures, and the other is about the different dimensions of "body";

⚠Zheng Zhengheng evokes the poet Xia Houwuji;

⚠The latest academic papers by Li Oufan and Wu Guokun.

"Fang Yuan" is published in four volumes every quarter. Based on literature, it deeply explores and presents the multiple dimensions of the issue. It aims to build a bridge for mutual communication and mutual promotion between the private sector and the academy, and inject new vitality into culture and art. This journal adheres to an open mind that integrates China and the West, classical and modern, local and foreign, and is compatible with interdisciplinary and cross-regional dialogue. Each volume of "Fang Yuan" has a strong lineup of authors, and famous writers, scholars, critics, and cultural figures from both sides of the Taiwan Strait and three places serve as consultants and academic committees. It will attract attention in the two places.