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Bishop Anthology 1 : Performance and Art Museum

Bishop Anthology 1 : Performance and Art Museum

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MOP$117.00
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Perhaps the biggest difference between performance today and in the past lies in the dramatic changes in the venue and the relationship between performances: from a framed stage space or a black box theater space, to an expansion/migration into the field of contemporary art, with art museums as the mainstay. represented in the white cube exhibition space. From performance and body art in the 1960s, to the rise of commissioned performances in the 1990s, to today’s many dance performances “in the exhibition space”, museums’ interest in performing arts has to some extent weakened the power of visual art performances. , so that performances are no longer necessarily related to transcendence, resistance or institutional criticism. Instead, it is how these performances use the characteristics of field/space and contemporary technology to establish new performance methods and reshape the audience's sensory experience—— That is to say, to create a new viewing relationship model. This book is participatory art and performance theorist Bishop's field observation and in-depth discussion of the scene and historical context of this kind of performance.

9789869834735

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