Publish: 翻翻頁出版有限公司
Jump axis Vol.001
Jump axis Vol.001
Regular price
MOP$70.00
Regular price
Sale price
MOP$70.00
Unit price
per
Couldn't load pickup availability
The name of the journal "Living Camera" comes from the imaginary line in film photography terminology. Although film creation has axis rules, there are no certain rules. "Jumping axis" (breaking/jumping the axis) symbolizes the free style and challenge of film creation. .
We hope that "Jumping Axis" can unite the film culture community, attract readers from all walks of life to pay attention to Macao film workers, and nourish Macao's local film aesthetics. Thanks to all participants for their support, let us explore and try together to shape a better future for movies!
First issue: Let’s “shoot and talk” again
ISSUE VOL.001 2023
*Comes with the book: "The Room Where Seagulls Came" was shortlisted for three nominations at the 59th Golden Horse Film Festival: Best New Director Kong Qinghui, Best Cinematography Su Weijian, and Best Score Liu Zhiqiang, sharing their creative daily life with disposable cameras.
． Three interviews with Macau Feature Film Project directors: Kong Hing-fai, Yao Lu-xin, Huang Ting-ting
． Decision to return to the love movie theater: operate more cautiously
． "Seeing the Light" - The Dialectics of the Theme and the Structure of the Three-Act Play
． Documentary and AI: Exploring the Boundaries of Reality and Fiction
． Personal observation of Macau film development (2007-2023)-Part 1
We hope that "Jumping Axis" can unite the film culture community, attract readers from all walks of life to pay attention to Macao film workers, and nourish Macao's local film aesthetics. Thanks to all participants for their support, let us explore and try together to shape a better future for movies!
First issue: Let’s “shoot and talk” again
ISSUE VOL.001 2023
*Comes with the book: "The Room Where Seagulls Came" was shortlisted for three nominations at the 59th Golden Horse Film Festival: Best New Director Kong Qinghui, Best Cinematography Su Weijian, and Best Score Liu Zhiqiang, sharing their creative daily life with disposable cameras.
． Three interviews with Macau Feature Film Project directors: Kong Hing-fai, Yao Lu-xin, Huang Ting-ting
． Decision to return to the love movie theater: operate more cautiously
． "Seeing the Light" - The Dialectics of the Theme and the Structure of the Three-Act Play
． Documentary and AI: Exploring the Boundaries of Reality and Fiction
． Personal observation of Macau film development (2007-2023)-Part 1
SKU:
View full details