Disorderly Classics
Disorderly Classics
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After "Market, Go to Hell", seventeen years of accumulated melancholy in Hong Kong
Poet Chan Mit moves to Taiwan, composing bitter and sharp poems about a Hong Kong in turmoil
Hong Kong offers a bitter smile but you wouldn't notice
It forever wears a face officially approved
—"Hong Kong's Kiss, and Its People"
"Forging gold into blades, molding earth into vessels, gushing breath into song"
—Introduction by Hung Hung
"What is the flavor of Hong Kong? No need to be self-conscious, 'The Scripture of Turmoil' is actually everywhere. From the critique of one era to the remembrance of the next; from singing praises to choked sobs, and much more, it's regrettable that only after leaving can one fully express. Hong Kong literature will not stop here, but after 'The Scripture of Turmoil', it must turn to the next chapter."
—Hung Hung, Recommendation Introduction
The prices of buildings soar
Working people think
Facing the world's madness but unable to go mad themselves
Cannot but become normal
—People in buildings always imagine madness
—"Elegy for a Building"
Where is the Hong Kong people dream of?
All ideals are left for the night bus to conquer
But the driver gives up on finding change—he has already given up enough
The Octopus card is strict, hateful, and only it cares
Everywhere it records the wandering of people, more untraceable than currency
—"Hong Kong Stop"
May Hong Kong return
In reality, it goes further away
Go, Hong Kong, go like a wave
All transformations sing praises, attesting to your stubbornness
Hong Kong, you should be stubborn
—"Hong Kong's Stubborn Secret Realm"
